Course Offerings by term

Examines the dynamic and often militant Baroque style in Counter-Reformation Italy and its national variants in France, Spain, and Flanders. Traces the development of new and different modes of expression in the emerging Protestant Netherlands. Explores the evolution from Baroque to Rococo as well as the arts of the 18th-Century in France and England. AH 1020 is strongly recommended as a prerequisite.


DayStart TimeEnd TimeRoom
Monday
13:45
15:05
C-101
Wednesday
13:45
15:05
C-101
Wednesday
12:10
13:30
VISIT-1

Introduces the principal arts and aesthetic issues of the 19th and 20th centuries from the French Revolution to World War II. Studies artists such as David, Turner, Monet, and Picasso, as well as movements such as Romanticism, Impressionism, and Surrealism, stressing continuities beneath apparent differences of approach. Regular museum sessions at the Louvre, the Musee d'Orsay, and the Centre Pompidou. AH 1020 is strongly recommended as a prerequisite.


DayStart TimeEnd TimeRoom
Monday
12:10
13:30
C-102
Thursday
12:10
13:30
C-102
Thursday
13:45
15:05
VISIT-1

This course is designed to introduce students to the history and practice of curating artworks. “Museums, like asylum and jails, have wards and cells — in other words, neutral rooms called ‘galleries.’” Writing these words in the 1970s, the artist Robert Smithson expressed sharply the struggle of many 20th century artists with curatorial settings. From the private cabinet of curiosities to the Academic Salons, from experimental art galleries to large museums and the use of exhibitions themselves as an artistic medium, curatorial practices never ceased to shape our “understanding” and appreciation of artworks. Relying on historical and theoretical texts, on-site visits (museums and art galleries) and a dialogue with museum professionals, the class is focused on the creation of a virtual exhibition by the students, taking into account all aspects of the project from its conception to its realization. This course has a course fee included.

This is a parallel course offered at the 2000-level and 3000-level. While the assignments are similar at both levels, the written component of the final project goes up from 25 000 to 35 000 characters (space included) and an upper-level degree of precision in the critical apparatus of the final project (research; bibliography, theoretical and methodological pertinence) is expected. Faculty approval is required for AH3030.


DayStart TimeEnd TimeRoom
Monday
16:55
19:50
C-102
DayStart TimeEnd TimeRoom
Monday
10:35
11:55
C-101
Wednesday
10:35
11:55
C-101
Wednesday
09:00
10:20
VISIT-1

Introduces students to the evolution of photography, which is both closely related to modern painting and clearly distinct from it. Focuses on K60major figures such as Atget, Weston, Stieglitz, Steichen, Hine, Brassao, and Man Ray, in an effort to develop the visual skills necessary to understand photographs as specific forms of artistic vision and creation. AH 1020 is strongly recommended as a prerequisite. Please note this course carries a fee


DayStart TimeEnd TimeRoom
Friday
16:55
18:15
VISIT-1
Tuesday
15:20
16:40
C-103
Friday
15:20
16:40
C-103

This course is designed to introduce students to the history and practice of curating artworks. “Museums, like asylum and jails, have wards and cells — in other words, neutral rooms called ‘galleries.’” Writing these words in the 1970s, the artist Robert Smithson expressed sharply the struggle of many 20th century artists with curatorial settings. From the private cabinet of curiosities to the Academic Salons, from experimental art galleries to large museums and the use of exhibitions themselves as an artistic medium, curatorial practices never ceased to shape our “understanding” and appreciation of artworks. Relying on historical and theoretical texts, on-site visits (museums and art galleries) and a dialogue with museum professionals, the class is focused on the creation of a virtual exhibition by the students, taking into account all aspects of the project from its conception to its realization. This course has a course fee included.

This is a parallel course offered at the 2000-level and 3000-level. While the assignments are similar at both levels, the written component of the final project goes up from 25 000 to 35 000 characters (space included) and an upper-level degree of precision in the critical apparatus of the final project (research; bibliography, theoretical and methodological pertinence) is expected. Faculty approval is required for AH3030.


DayStart TimeEnd TimeRoom
Monday
16:55
19:50
C-102
Topics vary every semester. “For the course description, please find this course in the respective semester on the public course browser: https://www.aup.edu/academics/course-catalog/by-term.”
DayStart TimeEnd TimeRoom
Monday
15:20
16:40
C-101
Wednesday
15:20
16:40
C-101
Wednesday
16:55
18:15
VISIT-1

Internships are commonly pursued in galleries, museums, art auction houses or cultural institutions, but can also be completed in a variety of other institutions depending on students’ interests and initiative. The University cannot guarantee placement in an internship, but will provide assistance with the internship search. Junior standing is recommended as well as early contact with the Internship Office for registration purposes. Internships may be taken for 0, 1 or 4 credits. Students may do more than one internship, but internship credit cannot cumulatively total more than 4 credits.


The senior seminar involves an in-depth study of major artists, epochs or themes in art history. The course regularly changes focus and approach according to the specialty of the professor. It will, however, always include a historiographic component and may cut across traditional, chronological, and/or geographical boundaries. May be taken a second time as an upper-level art history elective. “For the course description, please find this course in the respective semester on the public course browser: https://www.aup.edu/academics/course-catalog/by-term.”
DayStart TimeEnd TimeRoom
Friday
13:45
15:05
VISIT-1
Tuesday
12:10
13:30
C-101
Friday
12:10
13:30
C-101