Discusses the stylistic and thematic concerns of Manet, Monet, Degas, Pissarro, and Renoir, in the context of artistic theory and practice in mid-19th-century France. Analyzes the art of Gauguin, Van Gogh, CÈzanne, and Seurat as responses to impressionism. Classes at the Musee d'Orsay are scheduled regularly. AH 1020 is strongly recommended as a prerequisite.
Code:
AH3000
Name:
IMPRESSIONISM - POST-IMPRESSIONISM
Discipline:
AH (Art History)
Type:
Regular
Level:
Undergraduate
Credits:
4
Can be taken twice for credit?:
No
Pre-requisites:
None
Co-requisites:
None
Learning Outcomes
- a precise and enlightened view over the art and culture in Paris—produced by French or non-French artists—within a short, but very productive, period of modern history.
- valuable skills in visual analysis as well as the verbal skills necessary for expressing that analysis in direct contact with major masterpieces kept in Parisian museums.
- a deep understanding of the art styles Impressionism/Post-impressionism and their historical importance.
- students will altogether enhance their capacities to express an informed opinion about this style and modern art.
Offering(s)
| Term | Code | Name |
|---|---|---|
| Summer 2020 | AH3000 | IMPRESSIONISM - POST-IMPRESSIONISM |
Archived Syllabi
| Term | PDF File |
|---|---|
Spring 2019 |
