Course Offerings by term

This workshop gives students the opportunity to explore through reading, research and writing assignments an array of creative nonfiction forms, including memoir, travel writing, food and nature writing, and social essays. Assignments help students strengthen their ability to create the self as character, a first-person narrator who leads the reader into the world of personal experiences and research. The course explores narrative structure, description, characterization, dialogue, and tension, all key elements in making writing spirited and appealing. The workshop also includes guest speakers and field exercises in Paris.

This course offers an introduction to the first century and a half of Islamic society, 600-700 AD. It builds on knowledge of ways of writing about the past which students have acquired in earlier courses. The focus of the course is the rise and development of the religion of Islam and the key events and figures in the process. They will read extracts by those who wrote history in the early Islamic centuries – and those who have approached early Islam and is history in the global North, notably since he nineteenth century.
Essentially, the course offers:
- Substantive detail about the rise of the last of the Abrahamic monotheism;
- Theoretical reflection on the interplay between mediated communication, history and organized religion;
- An exploration of the history writing practices of early Muslims;
- An introduction of the intellectual history of nineteenth and twentieth century historiographies of the early Islamic Middle East and North Africa;
- An introduction to pilgrimage practices in Islam.

How do contemporary films make meaning? How does cinematic language convey emotion and raise ideas? how do we, as contemporary spectators, relate to and make sense of the screen? This course, while centered on contemporary films, is an introduction to cinematic language, its techniques, and the social and cultural factors that have made it one of the most influential art forms of our time. Looking at international films from just the last 20 years, we will explore and discover the ways these films creatively explore ideas and look at the technological, economic and political forces that fuel their production. Together with readings and screenings, individual and group assignments will help students deepen their understanding of lectures, readings and films and develop new critical skills and aesthetic understanding.