| Day | Start Time | End Time | Room |
|---|---|---|---|
Tuesday | 12:10 | 13:30 | G-L21 |
Friday | 12:10 | 13:30 | G-L21 |
Courses on different topics in the discipline, enriching the present course offerings. These classes are taught by permanent or visiting faculty. Topics vary each semester. For the course description, please find this course in the respective semester on the public course browser: https://www.aup.edu/academics/course-catalog/by-term.
| Day | Start Time | End Time | Room |
|---|---|---|---|
Monday | 13:45 | 15:05 | G-L21 |
Thursday | 13:45 | 15:05 | G-L21 |
The course will help you learn to direct and produce complex, personally expressive short fictions films. We’ll do this through incremental exercises designed to help you explore storytelling structures, staging, expressive frames, working with actors, sound design, crew negotiation and editing. We’ll also learn essentials of producing, press and distribution. Conducted from the director/producer viewpoint, the course challenges students to create a film that matches form with content and develops production skills through all stages of the process. The class is also an immersive creative workshop, incubating everyone’s ideas with support from the group. Some students will direct their own films. Others will produce other students’ short films in lieu of directing their own film. For best results, it is advised that you have already taken Principles of Video Production and at least one Film Studies course.
| Day | Start Time | End Time | Room |
|---|---|---|---|
Wednesday | 13:45 | 16:40 | G-L21 |
This course considers how the language of film can sometimes unlock the secrets of Shakespeare's world and help us to understand his contribution to the evolution of art cinema as well as to blockbuster culture. Focus is given to close readings of Shakespeare's plays, analysis of cinematic adaptations and a study of films such as Al Pacino's Looking for Richard or Shakespeare in Love. Directors Kozintsev, Welles, Godard, Olivier and Kurosawa are also studied.
| Day | Start Time | End Time | Room |
|---|---|---|---|
Tuesday | 10:35 | 11:55 | G-L21 |
Friday | 10:35 | 11:55 | G-L21 |
Focuses on periods when Italian cinema was at the cutting edge of World Cinema. Begins with films such as Fellini's autobiographical Amarcord. Studies silent-era spectacles (Quo Vadis, Cabiria), and Italian film under fascism and its renaissance with Rossellini and De Sica. Examines leading filmmakers including Fellini, Pasolini, Visconti, and Antonioni. Explores Italian comedy, and the links between cinema and society.
| Day | Start Time | End Time | Room |
|---|---|---|---|
Thursday | 16:55 | 19:50 | G-L21 |
Internships can be registered for 1 or 4-CR. Please contact the Internship Office for more details.
A Senior Project is an independent study representing a Major Capstone Project that needs to be registered using the Senior Project registration form.
(Download: https://www.aup.edu/sites/default/files/download/Academics/academic-reso...)
In this course, you will become familiar with Paris and its residents, contributing to a global awareness and understanding of local habits, values, and way of life, as well as reflecting on your own. You will explore “the city of light” through a variety of in-class and outside activities and projects.
| Day | Start Time | End Time | Room |
|---|---|---|---|
Monday | 12:10 | 13:30 | SD-6 |